Mad Max Fury Road. They defeat the tyrant, and get the control of the water valves. Then they open the valves and seemingly keep them open. One problem, how long is the water reservoir gonna last now?
Logan’s Run. The city dwellers are freed from the computer’s iron-fisted rule, and Carrousel. But their city is in ruins, and thinks to the computer providing everything. They don’t know how to live without it. The city dwellers are going to start dying off real fast.
In Small Soldiers, the whole problem starts when a corporation being lazy and and lacking any regulation puts military grade AI chips in a bunch of children’s toys. In the end, the CEO flies in on a helicopter, writes everyone a check for their silence, and fucks off scot-free.
The Cat from Outer Space.
Poor cat with superior intelligence now stuck on this planet with us humans.
It’s been about 30 years, but didn’t he get himself a nice dumb girlfriend cat? Maybe he was one of the idiots on his cat planet and now he’s just happier not being low tier.
I didn’t consider that maybe he was low tier and it was a status upgrade for him. I’ll take it.
Title gore
Also fun fact! This is Lemmy! We can edit post titles!
The ending of ‘Inception’ is the big hol-up moment. It kind of happy, but we’re not getting the answer how real it is.
The ending of ‘The Sopranos’ is very ‘happy-not-happy’. Despite speculations
spoiler
did was Tony killed or not
:::. I mean, he is main character, and still he is a mafia boss, so could there be really good ending?I also think that the happy ending of the ‘E.T.’ not happy at all. Even if federal government would be good to them, how would those children live their normal lives after all those events?
The ending of Makoto Shinkai’s ‘Weathering with you’ is kinda happy but for real is definitely not. The main couple is together but the price of it is Tokyo drowned.
Inception: the end is real. His totem wasn’t the top like we were led to believe, it’s his wedding ring. He’s only wearing it in dreams and doesn’t have it on when he sees his kids.
On a slight tangent, how come in the Mad Max movies (not the first one) the ‘societies’ he encounters seem to be the products of multi-generational effort, especially Fury Road.
In the first one, there’s a more or less functional world almost as we know it. Then he goes out into the deserts and it’s like 100 years passes.
Two things here explain this for me. One someone already mentioned I don’t believe Max is one person I think he is a legendary figure that gets merged into one person as people talk about their local heroes. The other is I always viewed the first movie as one of the holdouts of old civilization. For whatever reason that region had the resources to be in a more normal state for longer. When Max fucks off into the desert he’s going deeper into areas that are more desperate and have been hit harder by everything. We don’t know the full landscape of everything. The bat shit stuff we seen in later movies could be relatively isolated even but the society that does remain could be more like city states that dont have the power to go in and control the wild areas.
Max is a pseudo-mythological figure. It’s never clear in the movies how much time has passed. Word of writers says that he’s multiple people retold as one person in retrospective story, but the movies don’t show that so you can take or leave it. The game has him as an immortal doomed soul.
Whatever is the case, I think it’s pretty clear we’re not supposed to take the story we’re told about Max via the movies as told completely faithfully.
Max is not just one guy. He is an amalgamation of road warriors remembered in legends by the post-apocalyptic societies they helped
That’s one way to interpret it, but I don’t think the movies ever actually tell us that. The game certainly suggests something else entirely.
I love how the video game does it. It makes more sense Max is a doomed soul forever wandering the wasteland never able to rest. And how all the time has passed but he still remembers earth before
