Hi everyone, although I like to study the photography topic, I’m really a noob when it comes to practical terms.

I would like to take pictures at a family event which will take place in a garden in the evening/night.

Well, my gear is quite modest, and I know I don’t have what I need to take good pictures of both the place and the people there. I’m looking to rent a nice lens to carry around as I take pictures (and enjoy the party too! So I’m just taking one 😅). So I would really appreciate some advice on what to rent.

There are the four lenses I found while digging, two are primes, two are zooms:

  • Canon RF 24MM F/1.8 IS STM: it’s fast, with IS, but I’m not sure about portraits with this focal length.

  • Canon EF 24mm f/1.4 L II USM: super fast, no IS, still not sure about portraits with this focal length.

  • Canon EF-S 17-55mm f/2.8 IS USM: IS, quite fast, zoom lets me take portraits, but I’ve read it’s not very sharp.

  • Canon RF 15-35mm f/2.8 L IS USM: IS, quite fast, zoom lets me take portraits (not strongly as the one above but still).

Here’s my situation:

  • I have Canon Eos R10 with the EF adapter.
  • My hands are shaky, so without IS I need to be at least at 1/125…
  • I like to keep ISO really low (<6400) if I can.
  • I kind of pixel peep (I know I don’t have the right because I’m crap but I can’t resist) so I like to take as sharp pictures as I can.

Which lens would you reccommend? Since I’m renting them I was thinking about going all in with the expensive ones, the cost won’t increase much. The primes are so bright I feel comfortable they will be bright enough, but I don’t know if I can take good portraits at 24mm. On the other hand, zooms let me do more things, but I don’t know if I can handle f/2.8 with my crappy and shaky hands.

Of course, if you can think of other lenses that would be perfect for the job I’m all ears!

Cheers

  • IMALlama@lemmy.world
    2·
    9 months ago

    You’re welcome!

    If you have lots of space available to you and you want to take photos of people from somewhat far away, you might want a narrower lens. With my 35mm (your 24mm), I have to be quite close to my subjects if I want them to fill the frame. Granted, this will depend some on if you want full body or just torso + head. However, if you have the space a 50mm equivalent lens might be worth looking at. On a crop sensor this means looking for a 35mm lens. A 50mm lens on your body would have the same effective focal distance as a 75mm on mine. If I were to suggest renting a lens, it would be a 35mm f/1.8 (or faster) or a faster 23mm.

    RE depth of field and scenery: it all comes down to how far your subject is from you/the camera and how deep the scene goes. I’ll have to dig up two photos soon to give you examples…

    The need for a nice lens to rent is precisely because I am not comfortable in low light in general except for close portraits

    If you’re able to pull off portraits in low light, you should be fine for everything else.

    I know I’m asking for everything here while also restricting heavily on what I can use, so maybe I’m just dreaming and there is not a setup which fits all my requirements and I’ll have to compromise

    I don’t think you’re being that unrealistic here. You’re just weighing the trade-offs between framing, ISO, and depth of field. A faster, wider, lens will give you more depth of field than an equally fast narrower one if you keep your subject distance the same. If you move closer to compensate you’ll still wind up with more depth of field on a wider lens.

    • HKPiax@lemmy.worldOP
      2·
      9 months ago

      I’ll reply here also regarding the pictures. Thanks for sharing them! They look sick. If I understood correctly this is more or less what a 24mm would produce for me, which I recognize as familiar and I quite like it.

      I’m used to shoot either at 24mm (~39mm FF equivalent) or 50mm (~80mm), only recently have I been experimenting with 15-30mm (~24-48mm), and I’ve been loving because I can capture so much scene at 15mm, while I can get a nice “flat” picture at 30mm (I’m further away and I can capture also the “around” the subject, feels less like a fisheye. Hopefully you understand what I mean).

      I hadn’t realized I was starting to shoot at the “sweet spot” that is 50mm, which everyone seems to love. I understand why now!

      I’m more and more convinced by the RF 15-35mm f/2.8. I know I won’t have the same light as the f/1.4 or f/1.8 lenses I’ve looked at, but at this point I don’t think I can give up the flexibility of the zoom: I’d like to shoot at 15mm for the scenery, 24mm for the close ups and group photos, and 35mm for portraits and details, and I feel like this is the only lens which lets me do all of this, even though it will limit me by giving up some light. Am I being reasonable?

      Hopefully I’m not disappointing you and the other kind commenters which have given me their advice to pick a fast prime and to bring a flash.

      I almost certainly won’t bring a flash with me because of the , but I was thinking about diffusing the integrated flash I have on the R10 with one of those, albeit janky-looking, light diffusers that mound on the hotshoe and stay in front of the pop-up flash. This might help me out when f/2.8 is not enough let me shoot at 1/100-1/125 (below this I get mixed results with IS, and unusable ones without it).

      While looking around I’ve also found the Sigma 18-35mm f/1.8 DC HSM ART which I can rent as well. It doens’t come with IS and I’ve read that the autofocus is not as reliable, and I’ll also lose some degrees on the low end, but at with that large aperture I might get enough light to compensate the lack of IS. What do you think? How much difference is there between f/2.8 and f/1.8? Is it enough for me to use it without IS?

      • IMALlama@lemmy.world
        2·
        9 months ago

        Glad you found the photos useful. Yes, this is roughly what a 24mm lens would look like on your camera with just one twist - you’ll get more depth of field at a given f-stop. For your event, this is a good thing.

        As far as using a f/2.8 lens, it really depends how much light you will have to work with and how badly you need the higher shutter speed. Using my first shot as the baseline: ISO 160, 1/40, f/1.4. Going from 1.4 to 2.8 is nearly two stops and bumping to a 1/160 shutter (for easy math) is another two stops. Those four stops gave to come from somewhere, so ISO would have to jump by a factor of 16 (2^4) to 2,560. This isn’t ridiculously high, but it is getting up there.

        Going from a 2.8 to a 1.2 lens = 2 stops = 4x lower ISO if you hold shutter speed constant.

        Going from 2.8 to a 1.8 lens = 1 1/3 stops = (roughly) 2.5x lower ISO if you hold shutter speed constant.

        It’s really going to come down to available lighting. How difficult would it be to spot the location and take some test shots ahead of time?

        • HKPiax@lemmy.worldOP
          2·
          9 months ago

          Yeah sorry, I completely forgot to address that issue: I can’t really spot the location beforehand because it will be prepared and set up on the day of the event. I know geographically how it is though: it’s a quite large garden (for my European standards) of a old house. It will have a different layout than the picture (food stands instead of tables in this case).

          It does have some fixed lamps around the margins, but the main lighting will be provided by the guy setting up the whole thing. I have a sample photo of what it should look like (sorry for the bad quality, it’s just a screenshot I was sent).

          • IMALlama@lemmy.world
            2·
            9 months ago

            That looks like it will be fairly dim. You’ll also likely wind up blowing the highlights to preserve the shadows, which might not be a big deal if all of the lights are the same color. Sadly, this isn’t the case for holiday lights…

            Even though the bulb count is higher than a residential dwelling, my hunch is that the amount of light will be similar thanks to having walls and ceiling. Try taking photos in your place of residence after the sun is down as a stand-in for the actual location and see if you like the results.

            Since most of the light will be from overhead, your on camera flash will need to fill in some shadows that will create on faces. If you can, ask what color temperature the bulbs will be so you can apply the correct jel to your flash. If not, bring multiple gels. The last thing you want is for the color temperature of your flash to be wildly off that of the lighting in the park.

            • HKPiax@lemmy.worldOP
              1·
              9 months ago

              So, quick update. I’ve gotten a cheap “diffuser” to put in front of the built-in flash (this one), and I’ve gone outside when it’s dark with some garden lamps around using my EF-S 24mm f/2.8 (so I can see with this aperture how it looks).

              Well, first of all I’ve found out that man, flash photography is not intuitive, at least for me. I still don’t understand how to expose the pictures, especially with ETTL which, for my understanding, does exposure “automatically”, because all my pictures just look the same, with dark background and subject well lit.

              I’ve read how, with this kind of photography, changing ISO, shutter speed, and aperture is supposed to change the exposure of the background, NOT the subject (which supposedly is handled by the camera+flash). Yet, I must be doing something wrong because the background is so dim every time.

              If you have any tips that could help me out I would greatly appreciate it.

              • IMALlama@lemmy.world
                2·
                9 months ago

                What you’re seeing is the result of a fairly well lit foreground and a dimly lit background. You do have a few options here:

                • Dial back your flash intensity some. I’m not familiar with the Canon ecosystem, but on my Nikon with an external speedlight there’s a very accessible control to dial flash intensity up and down while leaving the camera in TTL (Nikon’s flavor of the auto flash intensity method you mentioned earlie). I’ve never tried doing that with the built in flash, but assume that would be possible. This will drive ISO up some, but life is all about tradeoffs
                • Change up your background to something bright. Have your subject(s) in between you and that thing. Using a flash lets you put your subjects in front of good sources of light without you needing to worry about whether they are lit well by that light. An easy example is taking a portrait in front of a setting sun. Since the sun is behind the subject, their face won’t have much light on it. You’ll also be faced with blowing out the sunset backdrop or underexposing their faces. The solution? Get some light on your subject. This is why you’ll see photographers who are working outdoors getting followed around by someone carrying one of those shiny circular reflectors. Another option is to use flash. This is called fill flash
                • Use an off camera flash (or two) to add some light to your background. This is going to be hard to do outdoors though
                • Cheat. I mean, make a composite photo. Take a photo of the background alone and take a photo of your subjects with the background underexposed. Composite the pair and you have the best of both worlds.You could even take a photo of your subjects in a different location that would make it easier to isolate them.

                It sounds like this is your first rodeo, which is totally fine. Just practice ahead of time and treat it as a learning experience. Low light portraiture is hard to do well, especially with a single flash and/or a slower lens.