It’s one thing that copyright/IP is such a matter of debate in the creative world, but a whole new layer is added onto that when people say that it only matters for a certain amount of time. You may have read all those articles a few months ago, the same ones telling us about how Mickey Mouse (technically Steamboat Willy) is now up for grabs 95 years after his creation.

There are those who say “as long as it’s popular it shouldn’t be pirated”, those who say “as long as the creator is around”, those who don’t apply a set frame, etc. I’ve even seen people say they wouldn’t dare redistribute paleolithic paintings because it was their spark on the world. What philosophy of statutes of limitation make the most sense to you when it comes to creative work?

  • Even_Adder@lemmy.dbzer0.com
    link
    fedilink
    English
    arrow-up
    2
    ·
    2 months ago

    I do not make art, I just post it here on lemmy. I’d be OK with that. People freely create, copy, and iterate on memes, and they are the greatest cultural touchstones we have. First and foremost, people create because they have something to say.

    • Lemmy_2019@lemmy.one
      link
      fedilink
      arrow-up
      1
      ·
      2 months ago

      I’m sure astronauts love their work too, but they still get paid. Artistic endeavours cannot be reserved solely for the idle rich.

      • Even_Adder@lemmy.dbzer0.com
        link
        fedilink
        English
        arrow-up
        1
        ·
        2 months ago

        Art isn’t work, it’s speech. It’s part of the human condition. Art is useless, said Wilde. Art is for art’s sake—that is, for beauty’s sake.

        • Lemmy_2019@lemmy.one
          link
          fedilink
          arrow-up
          1
          ·
          2 months ago

          Art, as the old adage goes, is 1% inspiration and 99% perspiration. It certainly is work, if you’ve ever sculpted an eight foot block of marble, or memorised one of Beethoven’s piano sonatas. And it doesn’t leave much time for paying the rent. The question is whether we compensate people for art, such that they can keep doing it. Does society invest in it, so that people of limited means can participate and have their voices heard? This debate has existed for thousands of years.