24bit 96kHz FLAC (purchased from Bandcamp & HDTracks) -> JRiver Media Center software player -> Merging Anubis Pro DAC -> Coleman Audio M3PHmk2 passive monitor controller -> Pass Labs X250 class A solid state power amp -> B&W Nautilus 802 3-way floor standing speakers

Or if from vinyl KAB modded Technics SL1200mk2 -> Shure V-15MR cartridge -> Simaudio Moon LP5.3 balanced preamp ->

(in 20’ x 14’ x 9’ room with bass traps, absorbers and diffusors by GIK, ATS, and Auralex)

Herman Miller Aeron. Tested reliable and proven.

Obviously floating point is of huge benefit for many audio dsp calculations, from my observations (non-programmer, just long time DAW user, from back in the day when fixed point with relatively low accumulators was often what we had to work with, versus now when 64bit floating point for processing happens more as the rule) - e.g. fixed point equalizers can potentially lead to dc offset in the results. I don’t think peeps would be getting as close to modeling non-linear behavior of analog processors with just fixed point math either.